Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Tuesday, October 31, 2017

Who’s Sinning and Who’s Settling Old Scores?

Tj O’Connor

New Sins for Old Scores is my latest murder mystery with a paranormal twist—the twist is that one of the lead characters is dead. Yup, read it again. He’s dead. And this story is packed with a band of characters, each with their own agenda, and each trying to either sin or settle an old score. A couple are doing both. The secret to the story is, as you might guess, who’s sinning and who’s settling scores. When you find out who’s doing both, you’ll know who the killer(s?) is/are.

You see, I’m one of those authors who plot out the story and ready a cast of characters to do my dirty work. Schemers and dreamers, haters and lovers, do-gooders and killers. Unlike most authors, there are also the present-day players and the historic players—dead ones, too.

Like you’ve probably heard other authors say, once I start writing, my characters takeover and do what they want. No really, it happens. I start out with a cast and each one has a story to tell—the story I plotted out for them. By the time I’m done with the first draft, they’ve gone their own way and created their own stories, often ignoring me completely. Some of them do a better job than I can, too. Some of them I had high-hopes for have become evil and dastardly and have gone and sinned on their own. Others, well, they are in the midst of settle scores that I didn’t even know existed.

Before I give you a snapshot of these page-players, let me explain what New Sins for Old Scores is about—at least, on the surface:

Murder, like history, often repeats itself. And when it does, it's the worst kind of murder.

Detective Richard Jax was never good at history. Now, after years as a cop, he was about to get the lesson of his life.

As Jax lay dying after being ambushed at an old inn on a stakeout, he's saved by Captain Patrick "Trick" McCall—the ghost of a World War II OSS agent. Trick has been waiting since 1944 for a chance to solve his own murder and prove he wasn’t a traitor. Soon, Jax is a suspect in a string of murders. The murders are linked to smuggling refugees out of the Middle East—a plot similar to the World War II “Operation Paperclip,” an OSS operation that brought scientists out of war-torn Europe. With the aid of a beautiful and brilliant historian, Dr. Alex Vouros, Jax and Trick unravel a seventy year-old plot that began with Trick's murder in 1944. Could the World War II mastermind, code named Harriet, be alive and up to old games? Is history repeating itself?

Together, they hunt for the link between their pasts, confronted by some of Washington's elite and one provocative, alluring French Underground agent, Abrielle Chanoux. Somewhere in Trick's memories is a traitor. That traitor killed him. That traitor is killing again.

Who framed Jax and who wants Trick's secret to remain secret? The answer may be, who doesn't?

New Sins for Old Scores is my fourth published novel. It was written a few years ago in the middle of another series I was writing—Oliver Tucker’s Gumshoe Ghost (I hate that moniker) mysteries. Since, I’ve also completed my thriller, The Consultant: Double Effect that will be out in May, 2018 from my new publisher, Ocean View Publishing. Each of these stories has been plot driven with strong characters that always have secrets to hide. In each, I provided the plot and my characters jump in and do the rest. Oh, I give them all names like Jax and Trick (New Sins), Tuck and Angel (The Gumshoe Ghost), and Jonathan Hunter who is The Consultant.  With each of these, I drafted the outline and the characters drove the story chapter-by-chapter and character-by-character. By the end of my novels, the characters had become people I didn’t even recognize—the good ones and the evil ones. New Sins for Old Scores was no exception. Let me give you a peak at who’s who in my stories.

Special Agent Richard Jax and OSS Captain Patrick “Trick” McCall: New Sins centers on these two accidental partners joined in the chasm of 75 years. Jax must come to terms with being the chief suspect in a double murder. He’s lost his love, his best friend, his career, and perhaps his mind—he’s seeing and taking advice from the spirit of Capt. Trick McCall, after all. Yet, Trick doesn’t quite see their friendship as a problem what so ever. Sure, he’s dead and all, but he’s a 1940’s man and who else can help solve a 75 year old murder case? Especially when it’s his! Trick must adjust to the modern day—2011—with computers and cell phones, the internet, and of course, the casual, often risqué lifestyle of the 21st century. Both men are hunting killers. The question is, is it the same one?

Surrounding Jax’s homicide investigation is the Virginia Bureau of Criminal Investigations (BCI) Task Force. Once his friends and colleagues, they’re now a collection of the trusted and the devious. First, there’s Mike Martinez, the BCI chief. He and Jeremy Levin—a Princeton Lawyer who oddly joined the state police—are under the spell of FBI Agent H.P. MacTavish. MacTavish is a duplicitous figure who arrived right after Jax’s ambush with claims of WWII treason and all the while hiding behind the veil of national security. Then there’s Detective Dylan Finch, a local sheriff’s deputy thrown into the mix. Finch clearly doesn’t want to be part of the circus. He doesn’t trust any of the BCI agents and while he’s worried about the BCI finding the killer, he has his own agenda that is more important. The wild card on the Task Force is Christie Krein. She’s young, pretty, smart, and doesn’t believe for a moment that Jax is a murderer. She also doesn’t believe he’s seeing ghosts. Throughout the story, each of these characters is hiding secrets and each has their own reason to be chasing the killer—or protecting him. They all have one thing in common: they think Jax is a little crazy.

Just when Jax thinks he understands what’s happening around him—Trick McCall included—Professor Alexandra “Alex” Vouros appears. Alex is as beautiful as she is brilliant, and yes, she has her own agenda, too. Alex is searching for evidence to prove or disprove Trick McCall’s innocence as a traitor and murderer back in 1944. She’s in league with John H. Singleton—one of the few survivors from Trick’s failed attempt to capture Harriet, the elusive double-agent responsible for smuggling illegal Nazi’s into the US during the war. Singleton, along with other OSS survivors, all have a stake in the outcome of Alex’s research. The trouble is each one wants a different outcome, for a different reason. Each is willing to do anything to get their way. Not all of them want Harriet’s true identity discovered. All of them want the past to remain in the past. Secret. Gone. Dead.

Finally, there is young Ameera, a pretty Afghani refugee being secreted from safehouse to safehouse by a gang of Latino thugs. She and her family are on the run and their only protection is the dangerous street gang, the Salvadorian Muchachos. Ameera faces danger at each turn and she’s not sure which is the most threatening, those hunting her or the Muchachos protecting her. But she knows the secrets connecting 1944 and Richard Jax—who the murderer is and who was there to cover it up.

Now, after reading about these characters in New Sins for Old Scores, you might be thinking I’ve got too many characters. I don’t think I do. In a murder mystery, having too few makes it easy to figure out whodunit. Right? In New Sins, because of the historical subplots, you have to figure out whodunit now and whodidit then. So the more characters the better.

Of this band of characters—past, present, and those living and dead—there are those still sinning and those settling old scores. The question is—who’s who? The answer is not what you think.

For more on New Sins for Old Scores or my other paranormal mysteries, check out my world at www.tjoconnor.com

Bio
 
Tj O’CONNOR IS THE GOLD MEDAL WINNER OF THE 2015 INDEPENDENT PUBLISHERS BOOK AWARDS (IPPY) FOR MYSTERIES. He is the author of New Sins for Old Scores, Dying to Know, Dying for the Past, and Dying to Tell. His new thriller, The Consultant will be out in the spring of 2018 from Oceanview Publishing. Tj is an international security consultant specializing in anti-terrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. He was raised in New York's Hudson Valley and lives with his wife and Lab companions in Virginia where they raised five children.

Learn about Tj’s world at:
Web Site:  www.tjoconnor.com
Facebook: www.facebook.com/tjoconnor.author
Blog: http://tjoconnorbooks.blogspot.com/
Goodreads: https://www.goodreads.com/author/show/7148441.T_J_O_Connor

Thursday, August 3, 2017

The Real Sins in New Sins for Old Scores

 Murder, like history, often repeats itself. And that, my friends, is the premise for my new murder mystery, New Sins for Old Scores from Black Opal Books.

My fourth mystery follows similar footsteps of my last series—a murder mystery with a paranormal twist that includes a historical subplot and a main character that is, well, living-challenged. Dead. Okay, yes, one of my main characters is dead.

Let me explain. Here’s the story’s summary:

Murder, like history, often repeats itself. And when it does, it's the worst kind of murder.

Detective Richard Jax was never good at history. Now, after years as a cop, he was about to get the lesson of his life.

As Jax lay dying after being ambushed at an old inn on a stakeout, he's saved by Captain Patrick "Trick" McCall—the ghost of a World War II OSS agent. Trick has been waiting since 1944 for a chance to solve his own murder and prove he wasn’t a traitor. Soon, Jax is a suspect in a string of murders. The murders are linked to smuggling refugees out of the Middle East—a plot similar to the World War II “Operation Paperclip,” an OSS operation that brought scientists out of war-torn Europe. With the aid of a beautiful and brilliant historian, Dr. Alex Vouros, Jax and Trick unravel a seventy year-old plot that began with Trick's murder in 1944. Could the World War II mastermind, code named Harriet, be alive and up to old games? Is history repeating itself?

Together, they hunt for the link between their pasts, confronted by some of Washington's elite and one provocative, alluring French Underground agent, Abrielle Chanoux. Somewhere in Trick's memories is a traitor. That traitor killed him. That traitor is killing again.

Who framed Jax and who wants Trick's secret to remain secret? The answer may be, who doesn't?

There were several elements behind the plot of New Sins for Old Scores that combines fact-based history—perhaps with a few liberties here and there—with my imagination. First, Operation Paperclip was a real operation during World War II. The US, using the OSS—the forerunner of the Central Intelligence Agency—sneaked scientists and industrialists out of war-torn Germany and into the US to further the US’s advancements in the face of the growing Cold War with Russian. The Russians were doing it too. In truth, Operation Paperclip brought German rocket scientist Wernher Von Braun to the US. Von Braun had been the German pioneer behind Hitler’s famed rocket program—including the V2 rockets that threatened to devastate England and win the war for Germany. He had also been a Nazi. Through Operation Paperclip, Von Braun ultimately became the US’s leading scientist in our space program. To accomplish many of these relocations, the US “erased” or otherwise ignored the checkered past of these scientists and industrialists. Most were Nazi Party members that had participated or at least overlooked slave labor and other war crimes while they continued to support Germany’s war efforts. But their knowledge and skills were paramount to supporting the US in the growing Cold War against the Soviets—who had, of course, grabbed their own scientists and industrialist with the goal of burying the US entirely. German war spoils, including its people, were scooped up with the knowledge that another war would come between the allies that defeated Germany.

Now, I’m a history buff and the OSS and Operation Paperclip fascinate me. I was also an anti-terrorism agent with the US military during the first Persian Gulf War and understood both the complexities and shortfalls of war and its aftermath. So I began to wonder—in the Persian Gulf Wars, the US used countless contractors to support the war efforts. Those included companies with intricate ties to our intelligence community and Special Forces. The question I raised was—What if one of these contractors ran its own Operation Paperclip in the Middle East? What if they did it without the government’s knowledge and they did it for profit? Surely there were thousands—more—Iraqis, Afghanis, and others who would pay serious money to get out of the region and into the US—legally or illegally. What if this corrupt contractor took advantage and ran a human smuggling scheme similar to Operation Paperclip? And what if that modern day human trafficking caper wasn’t the first? What if back in WWII, some enterprising operatives ran their own trafficking ring to smuggle people out of Europe who the OSS might not have been interested in.

Viola, the basis for New Sins for Old Scores. Add a local Virginia detective who stumbled onto the caper, a couple murders, a heroic Arab girl, and a dead OSS operative and you’ve got a story.

This plot proves that history repeated itself quite nicely. In my story, Trick McCall discovered an illegal operation in 1944 to smuggle wealthy German’s out of Europe to the States for profit. He was killed for it. In 2011, Jax stumbles on another human trafficking ring and he was nearly killed for it. Together, they must find those responsible and prove that Captain Trick McCall was not a double agent for the Nazi’s and that Jax is not a cold-blooded killer.

So for New Sins for Old Scores, the story is based on facts—perhaps tainted with real sins too—with the US’s bringing Nazi scientists to the US and turning a blind eye to their misdeeds and complicity in war crimes. Along the way, good men and women died for those sins. New Sins for Old Scores shows that while time may go by and war becomes more and more sophisticated, evil keeps pace, and ultimately, it’s the basic failures of men who commit the worst sins. For Richard Jax and Capt. Trick McCall, those old scores surface again but with new sins. And if not for the repeating history, they would never learn the truth.

For more on New Sins for Old Scores or my other paranormal mysteries, check out my world at www.tjoconnor.com

Bio

Tj O’CONNOR IS THE GOLD MEDAL WINNER OF THE 2015 INDEPENDENT PUBLISHERS BOOK AWARDS (IPPY) FOR MYSTERIES. He is the author of New Sins for Old Scores, Dying to Know, Dying for the Past, and Dying to Tell. His new thriller, The Consultant: Double Effect will be out in the spring of 2018 from Oceanview Publishing. Tj is an international security consultant specializing in anti-terrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. He was raised in New York's Hudson Valley and lives with his wife and Lab companions in Virginia where they raised five children.

Learn about Tj’s world at:

Web Site:  www.tjoconnor.com
Facebook: www.facebook.com/tjoconnor.author
Blog: http://tjoconnorbooks.blogspot.com/
Goodreads: https://www.goodreads.com/author/show/7148441.T_J_O_Connor

 

 

 

Sunday, February 26, 2017

New Sins and Old Dogs.

by Tj O'Connor
 
Cancer should be spelled with an F. That’s the way I spell it—F---ing Cancer.

Cancer took my girl. Fast. Painfully. Heartlessly.

First it took her by surprise. Then it took her leg. Then it took her dignity. Then, it forced me to … f---ing cancer.
 
I have faced death all my life. We all have in one form or another. But these past couple years has been one heartache after another. Still, nothing prepared me for the loss of my girl, Maggie Mae. Nothing. In 2015, I lost both my mentor, Wally, and my companion, Mosby. One as much as the other—a Lab and a brilliant but crusty old spy—devastated me nearly the same. I’m not embarrassed to admit it. Wally was 92 and had lived his amazing life. Up until the very end—the hour—we shared laughs and talked and made sure there was peace and understanding between us. But with Mosby, it was hard to share anything but the loss. I wanted him to understand there was no choice. To understand that there was no greater love than to let go and save him from pain and despair. No greater sacrifice than accepting responsibility for the strange, heart-breaking kindness that is sometimes death. I hoped—prayed—he understand that I was not betraying him. Not merely moving on. I was saving him from the worst fate.

I try to tell myself that every day. Sometimes it works. Sometimes it kills me all over again. Pain doesn’t go away, it just simmers in the background waiting for an opportunity to burn you a little more.

Maggie is different. Painfully different. I can’t explain why—perhaps because she was my girl or perhaps it was because it was such a shock. Perhaps it was something else—she was forever in bandages for something. Always on meds for this or that. A twelve year struggle to cure the next thing. But she lived without complaint. Without demand. Always happy and loving. Until December when she came up lame in one leg. The vet told me she had arthritis, maybe a damaged ligament. No worries. Pain meds, therapy… maybe a little surgery if it didn’t heal quickly. All would be fine.

Wrong. Dead wrong.

Three weeks later, I knew something was very, very wrong and sought out a specialist. My girl wasn’t going to limp anymore or down pain pills any longer. Whatever the reason. Whatever the cost. She was going to be healed—and fast.

Oh dear God … twenty minutes after arriving, the end lay in my lap, panting and begging me for a chance—a few more weeks. A few more months ...  Osteosarcoma. F---ing cancer. Deep in her bone. So deep it was killing me, too.

The doc, an amazingly lady with class, skill, and compassion, operated that day and took her leg to save her life. Chemo was scheduled. More pain meds. But hope was in my grasp. Within three days she was hobbling around, playing a little, loving a lot—the smile back in her eyes after two months in hiding. Even after her first chemo treatment, she was on her feet and fighting back. Fighting for us. Fighting for life. She loved on Toby, or black Lab and the love of her life. She played with my granddaughter, walked and slept with me, and ate everything she could find. After all, dying be damned—she was a Lab.

Until the second week. Paralysis consumed her. It was back. She couldn’t walk, couldn’t sit, couldn’t have the dignity of controlling herself … her face exuded embarrassment when I carried her for days into the yard just to keep her from soiling herself. I didn’t know what was killing her faster—f---ing cancer or shame.

Humans should have such dignity.

I can barely write these words. The next ones especially. Pain rains and fingers tremble—the thoughts of those last moments. For those who don’t share my emotions over pets, you shouldn’t have them. For those that do, I can only image you’re sharing a little of my grief right now. You know the rest of the story. I couldn’t allow her any more pain, anymore shame, anymore cancer. And in my arms, both of us shaking … I let her go.

Damn me for what I had to do. Damn me. I only pray that if there is a heaven—and for souls like hers and my boy, Mosby, there has to be—that she and he are together and happy. They deserve it like no human I’ve ever known. Loyal. Loving. Compassionate.

This is not the fun, lighthearted post I wanted to write. But it is the post I had to write. It hasn’t healed me yet—I am struggling still. But it helps. Because sadly, I’m not always the adventurous, tough Harley guy people think of me too often—I’m an UFO (ugly fat old guy) who cries over lost dogs and isn’t ashamed to post that pain for the world to read.

But, the loss of one has one good fortune with the pain—room for another. Toby needs a companion—he morns for Mags every day. This house needs a girl—I do to. Not to replace you, Mags, but because you left such an emptiness behind.

So, to end this with a little hope … welcome Annie Rose. You’ve got big paws and a huge heart to fill. Be gentle with Toby and me—we’re still grieving. But he, like me, is coming around.

We’ll talk again next month.
 

Tj O’CONNOR IS THE GOLD MEDAL WINNER OF THE 2015 INDEPENDENT PUBLISHERS BOOK AWARDS (IPPY) FOR MYSTERIES. He is the author of New Sins for Old Scores, coming in Spring 2017 from Black Opal Books, and Dying to Know, Dying for the Past, and Dying to Tell. He recently finished his new thriller and is beginning three sequels to previous works. Tj is an international security consultant specializing in anti-terrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. He was raised in New York's Hudson Valley and lives with his wife and Lab companions in Virginia where they raised five children. Dying to Know is also the 2015 Bronze Medal winner of the Reader’s Favorite Book Review Awards, a finalist for the Silver Falchion Best Books of 2014, and a finalist for the Foreword Review’s 2014 INDIEFAB Book of the Year Award.

Learn about Tj’s world at:

Web Site:  www.tjoconnor.com
Facebook: www.facebook.com/tjoconnor.author
Blog: http://tjoconnorbooks.blogspot.com/
Goodreads: https://www.goodreads.com/author/show/7148441.T_J_O_Connor

 

Wednesday, January 4, 2017

It's Time for My New Sins ...

by Tj O'Connor

Temporary Cover Art
My sins are surfacing. They’re on the horizon, inching ever closer, and it’s time I dealt with them head-on. Like many a wild and crazy-guy, my sins come with scores to settle, too. There’s nothing better than a good battle of new sins and old scores. Nothing.

For the past two years or so, I’ve blogged about my characters, plots, and process surrounding my previous series, The Gumshore Ghost (a dreaded series name). Oliver Tucker and his pals hunted murderers, thieves, and gangsters. Tuck was a dead detective helping solve first his own, and then other murders along the way. Each of those stories had a historical subplot and a paranormal twist. And so does New Sins for Old Scores.

The difference in the story lines are unique—Tuck was written in the first person, and New Sins in the third. Tuck’s stories were very light-hearted mysteries whereas New Sins takes a little more serious storyline, still with good humor, but it’s closer to a traditional mystery. Lastly, and perhaps more noteable at least to me, it takes on a serious subplot—human trafficking—and overlays a historical real-life event to connect the past with the present. I truly believe history repeats itself. I also believe we are slow to learn its lessons.

New Sins for Old Scores makes us wonder if we’ve learned life’s most important lessons about the past, trust, and honor.

 In February 2016,  I had a brief discussion about my new novel. I’ll try not to rehash it here. It suffices to say that these new stories will also have murder with a paranormal twist, but in this case, the paranormal side will be the secondary character—Trick McCall, the spirit of a long dead, disgraced WWII Office of Strategic Services (OSS) operative. Trick is the sidekick in these stories, not the primary hero as in Oliver Tucker’s Ghost Gumshoe series. And this series is a little more traditional—albeit with the paranormal twist—and not quite as light-hearted as Tuck’s stories, either—though Trick does tend to have a little fun at the expense of the bad guys.

 The novel is based on some real events—or more accurately, real historical events—which I took license with and molded into a modern murder mystery. The story follows a disgraced detective, Richard Jax, who must prove his own innocence in a multiple homicide and stop an international plot of human traffickers and murders.

The story begins …

Murder, like history, often repeats itself.

When it does, that kind of murder isn’t the byproduct of some psychotic break or an unintended emotional frenzy. That kind of murder is conscious and considered. It is deliberate.

History is full of that kind of murder.

Richard Jax was never a good student of history—but he knew murder well. He was more pragmatic than philosophical, and except for watching the History Channel and old movies, the past occupied little of his time. His time was reserved for murder and violence. Yet, history taught him a very important lesson—an axiom of parents with teenagers—that nothing good ever happens after midnight.

Jax wasn’t married and had no children. But it was after midnight and he was alone.

Later on, Richard Jax is ambushed while on a stakeout and lay bleeding out, alone and without backup. As his assailant approaches him for the final kill shot, he meets Trick McCall …

A voice exploded in his head. “Get up. Fight back. It’s not over. It can’t be—fight.”

Jax looked across the driveway. Someone lay on the gravel a dozen feet away. The figure stared wide-eyed back at him. Then, in strange, freeze-frame movements, the man stood. He looked around and brushed himself off. He gave Jax a nod and then picked something up off the ground and placed it on his head.

“Come on, Mac, fight. Don’t quit. You can’t.”

Jax tried to focus but knew he was already done.

“Come on, Ricky. You have to do this yourself. Until you do, I can’t help.”

Jax watched the man across the parking lot as the warmth pooled beneath his cheek. His vision blurred and he wasn’t sure what he saw was right—a cone of light engulfed the man—just him. Everything around the light was black and murky. The man was tall and lanky. He wore a hat—a fedora—and a dark, double-breasted suit. Behind him was a 1940s Plymouth with wide, squared fenders, and a dark green, four-door body.

Was he dead and heaven playing a film noir festival for his arrival?

“Shoot ‘em, Ricky. Shoot or he’ll kill you.”

Jax looked up at the silhouette standing over him. The warmth that flowed from him minutes ago now left him cold and spent.

The silhouette raised his gun for the final shot.

“No,” Jax grunted. “No…”

A deafening crack and a flash of light.

Silence.

“Miles Archer, Ricky,” the fedora-man said leaning over him. “Bogart’s partner was Miles Archer, ya know, in The Maltese Falcon. I saw it open at the Capitol Theatre in D.C. in ’42. You did good, Ricky—real good.”

Darkness.

Jax and Trick McCall have two things in common. They are both disgraced—Trick believed to be a murderous traitor who killed his own men for profit, and Jax a crooked cop who killed his partner and fiancé from jealousy. Together they have to set the records straight —even if those records began in 1942.

As with my previous novels, I intertwine history and the present, proving the opening line, Murder, like history, often repeats itself.  The paranormal twist allows me to move between past and present and explore the events that led to Trick’s death and his disgrace. It also allows me to link events from the ‘40s with modern day skullduggery. The outcome brings out all the character’s New Sins and helps them settle Old Scores.

I’m anxious to get on the road to talk about this story. It was fun writing and I think it’ll be fun talking about the plot and characters to fans. But mostly, I love just talking books with readers. This one opens up a new chapter in my own writing, another potential series that mixes my favorite topics—murder and history. In these stories, I get to play with my own sins and conjure up some old scores to settle, too.

We’ll talk again next month.

Tj O’CONNOR IS THE GOLD MEDAL WINNER OF THE 2015 INDEPENDENT PUBLISHERS BOOK AWARDS (IPPY) FOR MYSTERIES. He is the author of New Sins for Old Scores, coming in March 2017 from Black Opal Books, and Dying to Know, Dying for the Past, and Dying to Tell. He recently finished his new thriller and is beginning three sequels to previous works. Tj is an international security consultant specializing in anti-terrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. He was raised in New York's Hudson Valley and lives with his wife and Lab companions in Virginia where they raised five children. Dying to Know is also the 2015 Bronze Medal winner of the Reader’s Favorite Book Review Awards, a finalist for the Silver Falchion Best Books of 2014, and a finalist for the Foreword Review’s 2014 INDIEFAB Book of the Year Award.

Learn about Tj’s world at:

Web Site:  www.tjoconnor.com
Facebook: www.facebook.com/tjoconnor.author
Blog: http://tjoconnorbooks.blogspot.com/
Goodreads: https://www.goodreads.com/author/show/7148441.T_J_O_Connor